Revision Reflection (15 Points) Due on 12/15

To be handed in with your Final Draft, along with your outline, one copy of your first draft, and your peer review sheets.
After revising your first draft, respond to the following questions:

1. Describe your research and prewriting process? How did your topic, argument, and subtopics develop or change as you conducted research?

2. What were the significant things that you needed to revise after the peer review workshops?

3. What did you learn about the process of writing this paper from reading your peers' papers?

4. Which stages of the pre-writing process were the most challenging and why?

UC Davis (11.18.11) -- 2 weeks ago

Breaking the Spell

Background Information for the WTO

Noam Chomsky explains the World Trade Organization.

Catalyst

If you had a problem submitting your Boolean Library Assignment to Catalyst, use this link instead.

Library Assignment (10 points)

TUES Nov 22 - meet in the Library.
Please download and complete this worksheet on Boolean searches before your Library Workshop on Tues Nov 22.

Once you have completed the worksheet, upload it to Catalyst. You will need to use your UW NetID to assess the Catalyst dropbox. This assignment is worth 10 points.

Occupy Wall Street

Occupy is here to stay

Visit msnbc.com for breaking news, world news, and news about the economy

Richard Foreman and the Ontological-Hysteric Theater

Richard Foreman - Wake Up Mr. Sleepy!... from Howard Silver on Vimeo.

Andy Kaufman

Survivial Research Laboratories

Final Research Project

English 102 Final Research Project (150 points)

Due Th 12/15 (including outline, one copy of first draft, peer review sheets, and revision reflection)

This MLA research paper should be about 10-12 paragraphs long (approx. 6-10 pages). The topic should synthesize expert analyses of an artist, group, or movement. The paper could focus entirely on one artist or look at three artists from a specific group or art movement. The argument should concern how the artist or group exposes the ideologies of the time, socially and/or artistically.

The body of the paper should be divided into three subtopics, each supported by three “meaty” quotations. The quotations should present a complex intersection of 3-4 ideas. The quotations should include an expert’s analysis. You will need approximate nine quotations to write the body of this paper.

Your outline should be an expanded version of the 5-paragraph outline from our Mini-Research Project. The paper will need an introduction (1-2 paragraphs) that provides background information and context and includes a thesis statement (topic, argument, subtopics). Each subtopic in the body should include approx. 3 paragraphs, each built around a complex quotes. Continue to follow the logic of the body paragraphs from the Mini-Research Project (topic sentence, evidence, explanation, analysis, connection). The conclusion should restate the thesis, pull the subtopics together, and suggest potential ramifications.

Due Dates:
T 11/22: Topic due - This class will be our second library workshop. It would wise to choose your topic or topic area before this class.
T 11/29: Annotated Bibliography (50 points) - This bibliography must include at least 10 sources. The annotated bibliography must be in MLA format (like your Works Cited page). The biggest difference between these two are that the annotated bibliography is handed in before the paper, and it must include a brief summary of each source. See the links on class blog for examples.
T 11/29: Thesis Statement (30 points) - (must include topic, argument, and subtopics)
T 12/6: Outline (30 points) - (must include all quotations)
T 12/13: First Draft (15 points) - (must include Works Cited page. BRING 4 COPIES)
TH 12/15: Final Draft due (must include outline, one copy of first draft, peer review sheets, and revision reflection (15 points))

Yves Klein

Chris Burden

Yoko Ono

Karen Finley

AdBusters

Adbusters


Spoof Ads



Commercial Breakers from Douglas Haddow on Vimeo.

The Yes Men

The Yes Men


The Yes Men: US Chamber of Commerce

Shepard Fairey

 

http://obeygiant.com/


Shep Fairey and the Art of Appropriation

mid-quarter check-in

After turning in your Mini-Research Project, please respond anonymously to the following prompts. Send your responses (without your name) to the class room printer, and I will pick them up after class:

1. How are things going for you in class?

2. What can I do to better support your learning?

3. What can you and/or your classmates do to better support your learning?

4. What adjustments to the class' format or structure would better support your learning? Please explain.

CHANGE: Short Answer Test #4 (Nov 3)

CHANGE: Short Answer Test #4 will NOT be group quiz.

The test will be in-class. You will have 30 minutes for the test. The test will be open notebook, but NOT OPEN BOOK.

While reading and taking notes on the assigned reading for Thu, pay extra attention to the creative or artistic tactics that Situationist International used to create their work and the creative or artistic forms of that work.

Revision Reflection (15 Points) -- due Nov 1

To be handed in with your Final Draft, along with your outline, one copy of your first draft, and your peer review sheets.

After revising your first draft, respond to the following questions:

1. What were the significant things that you needed to revise after the peer review workshops?

2. What did you learn about the process of writing this paper from reading your peers' papers?

3. Which stages of the pre-writing process were the most challenging and why?

4. How do you plan on altering your approach for the Final Research Project?

Situationist International (video by Boston Museum of Fine Art)

CHANGE: Short Answer Test #3

Short Answer Test #3 will be an in-class group quiz. The Test will be on Tues Oct 25. You must come to class to take the test.

Mark Steel on Karl Marx

These three short videos provide an entertaining introduction to Karl Marx and his ideas and may be useful context for Lipstick Traces.

CHANGE: Short Answer Test #2

Short Answer Test #2 is NOT be a take-home test.

This will be an IN-CLASS GROUP QUIZ, and will take place on Tuesday Oct 18.

If you do not attend class, you will not be able to earn points for the test.

Hugo Ball

Marcel Duchamp's "The Fountain"

May 1968 France

dadadadadadadadadadadada

Slogans and Incompetence

------------------------------------

Sloganizer

Mini Research Project

English 102 -- Mini-Research Project
(2-4 pages. Double-spaced. MLA format. Works Cited. Stapled. 100 Points.)

Sources and Thesis Due: 10/13

Outline Due (must follow the format provided below): 10/20

Draft (4 copies, including Works Cited page) Due: 10/27

Final Draft (with: Works Cited page, outline, first draft, peer reviews, revision reflection) Due: 11/1

--This paper is a 5-paragraph "mini-research" essay, using 2-3 outside sources. Keep your topics as small and specific as possible. This is an incredibly short paper, so you will only have to time to really explore one idea in any depth.

--This paper must be in MLA format. Consult links on the class blog for MLA formatting resources.

--Make sure to include an arguable thesis statement in your introduction. Please supply some very concise background information in your introduction.You may use quotes or paraphrases from the sources if you like, just make sure to provide a citation for the source (even for paraphrases).

--Each body paragraph should be built around one "meaty" quote from your research. The quote should be a complex intersection of 3-4 ideas that requires you to explain it and connect it to other ideas in the paper.

--The paper should focus on how a very specific cultural moment exposes its contemporary social contract or reveals something significant about the historical moment that produced it.

Choose one of the following prompts:
1. Analyze the Rolling Stone’s 1969 concert at Altamont where members of the Hell’s Angels, hired as security guards, killed audience members during the concert. What elements of the late ‘60s social contract were exposed by the killings? How does this event represent the historical moment that generated it?

2. In 1968, the MC5 was supposed to play a concert/protest outside the Democratic National Convention in Chicago. The concert/protest quickly dissolved into a riot. What elements of the late ‘60s social contract were exposed by the riot? How does this event represent the historical moment that generated it?

3. With the advent of the birth control pill, Loretta Lynn recorded a very controversial song entitled “The Pill.” What assumptions did Loretta Lynn’s 1975 song expose about women’s roles in the family and society of the 1970s.  How does this event represent the historical moment that generated it?

4. Orson Welles’ 1938 adaptation of H.G. Wells War of the Worlds caused widespread panic when performed on the radio. What elements of the 1930s social contract were exposed by Welles’ hoax?  How does this event represent the historical moment that generated it?

5. In spite of videotaped evidence, a 1992 jury acquitted four Los Angeles police officers charged with beating Rodney King. The verdict resulted the massive, 6-day long L.A Riots. These riots and the racial tensions that preceded and followed, were the context for the emergence of “gangsta rap” (especially N.W.A.).  How did these riots expose the social contract of early ‘90s Los Angeles? -or- How is gangsta rap representative of the historical moment that generated it?

6. In 1968, a group of radical feminists protested the Miss America Pageant in Atlantic City, NJ bringing the term “Women’s Liberation” into the popular consciousness. How does this protest expose the social contact of the late ‘60s? How does this event represent the historical moment that generated it?

7. In 1986, police raided the home of Dead Kennedy’s lead singer Jello Biafra and brought him up on obscenity charges connected to the artwork for his record Frankenchrist. The raid was a result of complaints by the Parent’s Music Resource Group (PRMC), an organization led by Tipper Gore, that advocated for labeling music to alert parents to the presence of violent or sexually explicit lyrics and packaging. How does the controversy over record labeling expose the values of the 1980s?  How does this event represent the historical moment that generated it?

I will also consider topics of your own choosing, but I need to see your research and discuss your thesis before signing off on any topics beyond those listed above.

I. Introduction (narrow from Subject to Topic)
A. Background, including biographical information and any relevant historical or literary context
B. Thesis Statement
    1. Topic
    2. Argument
    3. Subtopics
        a. Subtopic 1
        b. Subtopic 2
        c. Subtopic 3

II. Subtopic 1
A. Topic sentence
B. Present evidence (usually a quote from the text, but could be a summary or paraphrase).
    NOTE: Cite the source immediately following a quotation, e.g. (Bucci 224).
C. Explain in your own words explain what the quote is saying, or "means."
D. Analyze why the quote is important to the argument in your thesis.
E. Connect this idea to the next subtopic by suggesting a relationship to the next subtopic.

III. Subtopic 2
A. Topic sentence
B. Present evidence (usually a quote from the text, but could be a summary or paraphrase).
    NOTE: Cite the source immediately following a quotation, e.g. (Marcus 244).
C. Explain in your own words what the quote is saying, or "means."
D. Analyze why the quote is important to the argument in your thesis.
    E. Connect this idea to the next subtopic by suggesting a relationship to the next subtopic.

IV. Subtopic 3
A. Topic sentence
B. Present evidence (usually a quote from the text, but could be a summary or paraphrase).
    NOTE: Cite the source immediately following a quotation, e.g. (Azerrad 424).
C. Explain in your own words what the quote is saying, or "means."
D. Analyze why the quote is important to the argument in your thesis.

V. Conclusion (broaden from Topic to Subject)
A. Restate your thesis (in different words. Do not cut and paste the thesis from your introduction).
B. Pull together the three subtopics by explaining how they are connected to each other
           and how they support the position in your thesis.
C. Expand on the implications
    1. Suggest potential ramifications, solutions, next steps in analysis.
    2. Make general observations based on your close analysis of the specifics of the topic.

The Information Cycle

http://www.libraries.psu.edu/content/dam/psul/up/lls/audiovideo/infocycle_2008.swf

Problem with Google

UW NetID required for Library Workshop

Next class (Th Oct 6) will meet in the Library (LB1-220).

You will not be able to participate in the workshop if you do not have a UW NetID.

If you do not have have one, immediately go to: http://www.cascadia.edu/campus_resources/online_resources/uw_netid.aspx

It can take up to 24 hours to activate your account, so do it now.

Short Answer Test #1 (30 points)

Lipstick Traces p. 1-22

Due: Thu Oct 6



Learning Outcome: understand and discuss complex reading and discussion



Respond to three of the following prompts in 2-3 sentences each. Feel free to use quotations from the text if you’d like, but make sure to include a page number immediately following any quotation.



1. How does the dada poem on pages 3-4 “break the rules?” Which rules does it break and how?



2. Explain the following quote: “Damning God and the state, work and leisure, home and family, sex and play, the audience and itself, the [Sex Pistols’] music briefly made it possible to experience all those things as if they were not natural facts but ideological constructs: things that had been made and therefore could be altered, or done away with altogether” (Marcus 5).



3. Explain the difference between nihilism and negation as presented on pages 8-9.



4. Explain the difference between the “language of protest” and the language of negation, as discussed on page 12.



5. Describe Greil Marcus’ research methodology as he explains it on pages 19-22.

The Filth and the Fury

1. Describe the relationship between the conditions of 1970s England and the development of the Sex Pistols as presented in the video.

2. Describe the changes in the audiences at Sex Pistols shows as presented in the video.

3. How did the Sex Pistols create "new environments?"

4. Describe the role that foul language played in punk culture as presented in the video. What is your reaction to the foul language? What would Johnny Rotten or Malcom McMaclaren think about your reaction?

Syllabus

Engl& 102 Sec 6 – a history of anarchy

Instructor: Professor Bucci

Email: dbucci@cascadia.edu

Phone: 352-8329    Office: CC1-329   Office Hours: Mon and Wed, 11am-1:05pm or 1:15pm-3:15pm

Class Meetings: Tuesdays and Thursdays, 11am – 1:05pm Rm: CC1 0230

Class blog: http//:buccienglish102.blogspot.com

Course Description:

Students learn how to develop ideas to guide research, to gather information from the library, Internet, experts and other sources, and to judge the quality of the information. They learn to use ideas from sources as evidence in essays and longer research projects, developing a more sophisticated approach to using sources to achieve identified purposes for identified audiences. Students continue ENG 101’s emphasis on developing well-organized, thoughtful essays. This class is organized around a theme chosen by the instructor.

Theme: a history of anarchy.

This is not a course on political anarchy. Although this course may critique various governments and their social policies, it will not advocate the reduction or elimination of government. The focus of this course is cultural anarchy. Our goal is to interpret and analyze history by studying the culture produced during specific historical moments, like a hunter might study his prey’s dropping for clues to where it’s been and what it’s been doing. Cultural anarchy is a phenomenon that exposes the unseen rules and assumptions of a given social contract.

Prerequisites: Completion of ENGL&101 (formerly ENG 101) with a grade of 2.0 or higher.

NOTE: There will be very little review of sentence level grammar and syntax in this class. If grammar and syntax are not of a college level, it is the student's responsibility to seek outside help from Cascadia’s Math and Writing Center or via etutoring.cascadia.edu

Course Content, Topics and Themes:

●        Critical thinking processes: analysis, synthesis, evaluation, problem-solving, close reading

●        Researching strategies: asking questions, finding and evaluating sources, sorting sources, interviewing, reading, taking notes

●        Research-based composition processes: generating ideas, forming a hypothesis, organizing notes, summarizing sources, drafting, discussing, revising, editing, and proofreading

●        Rhetorical strategies and structures

●        Research-writing strategies: incorporating sources, avoiding plagiarism, judging validity of evidence

●        Group process skills

●        Self-evaluation skills

●        Technology strategies: revising text, running advanced searches to find multiple sources, and communicating with experts

Required Texts:
    • All readings for this class (unless otherwise noted) will be available via eReserve:

http://eres.bothell.washington.edu/eres/coursepage.aspx?cid=2116

    • Rules for Writers (optional grammar and style handbook)

Papers:

• Mini-Research Project (2-3 pages)
• Creative Project and Reflection (2-3 pages)

• Final Research Paper (6-10 pages)

All out-of-class writing must be typed. All papers are due at the beginning of class, and papers handed in after the first ten minutes of class will be marked late and penalized. I understand that life can be unpredictable, so I will accept one late paper per student per quarter. No other late papers will be accepted. If you think you are not going to be able to make a paper deadline, please speak with me before the paper is due. Absolutely, no emailed papers will be accepted without prior approval. All papers (and associated outlines, drafts, reflections, and peer reviews) must be stapled together (or collected in a pocket folder) and clearly labeled with the student’s name on every section. If you fail to include a required outline, first draft, or peer review response with your paper, your grade for the assignment will be reduced by 10%.

Short Answer Test Outcomes and Due Dates: (subject to change)

Short Answer Test #1: understand complex reading and discussion (take home): 10/6

Short Answer Test #2: accurately explain complex quotations (take-home): 10/18

Short Answer Test #3: summarize key ideas in complex texts (take-home): 10/25

Short Answer Test #4: describe complex artistic works (in-class, no open book): 11/3

Short Answer Test #5: synthesize information from various texts and artists’ work (take-home): 11/15

Attendance, Participation, and In-Class Work:
You are required to attend class on time, and expected to have completed all reading and assignments before coming to class. Our course only has 22 class meetings. If you attend at least 19 classes on time, you will earn 20 points of extra credit. 

Important: You are responsible for all assignments given in class whether you were present or not. “I wasn’t here that day” is not an excuse. I will keep the class web page updated with assignments and changes to the schedule, but I suggest you trade contact information with several of your classmates just in case. In-class assignments or exercises may not be made up.

Grade Conversion:

Five Short Answer Tests (30 points ea.) = 150 points

Mini-Research Project = 100 points

            Thesis = 30 points

            Outline = 30 points

            Draft = 15 points

            Revision reflection = 15 points

Creative Project and Reflection (50 points ea.) = 100 points

Library Workshop Assignments (10 points ea.) = 20 points

Final Research Project = 150 points

            Annotated Bibliography = 50 points

            Thesis = 30 points

            Outline = 30 points

            Draft = 15 points

            Revision reflection = 15 points

TOTAL = 750 points

4.0 = 713-750 points (95-100%/A)         2.5 = 600 points (80%/B-)   1.0 = 487 points (65%/D)

3.5 = 675 points (90%/A-)                  2.0 = 593 points (75%/C)    0.0 = 450 points or below

3.0 = 637 points (85%/B)                   1.5 = 525 points (70%/C-)

(Complete grade conversion table available upon request.)   

Course Outcomes:

Learn Actively - Learning is a personal, interactive process that results in greater expertise and a more comprehensive understanding of the world.                

●        Read, analyze, and assimilate material from a variety of texts to increase knowledge and support research questions

●        Engage in discussion and group assignments to deepen understanding and develop learning skills related to research and writing

●        Use writing as a learning tool to generate ideas, explore approaches to audiences and purposes, and record and organize information for later use

●        Meet assignment timelines and seek help when necessary

Think Critically, Creatively and Reflectively - Reason and imagination are fundamental to problem solving and critical examination of ideas.

●        Examine and evaluate a variety of information sources for use in writing

●        Call on a diverse set of strategies to solve problems that arise when researching and writing from research

●        Use an understanding of one’s personal values and biases, and those of others, to make inferences and draw conclusions about diverse sources of information

Communicate with Clarity and Originality - The ability to exchange ideas and information is essential to personal growth, productive work, and societal vitality.           

●        Use a personalized process to research and write an extended research project

●        Use writing to assimilate information and perspectives from a variety of sources and publish texts composed of coherent, supported, and appropriate prose

●        Understand and apply criteria or standards for clear, original communication to their own and others’ writing

●        Use technology to gather, process and communicate information      

Interact in Diverse and Complex Environments - Successful negotiation through our increasingly complex, interdependent and global society requires knowledge and awareness of self and others, as well as enhanced interaction skills.        

●        Understand others’ points of view in order to increase knowledge of other ways of looking at information

●        Work with peers in groups to discuss readings and to respond to each other’s writing. In all group work, listen and contribute with respect and honest

Cascadia Community College Syllabus Learning Agreement

Academic Honesty:  The College regards acts of academic dishonesty, including such activities as plagiarism, cheating and/or/violations of integrity in information technology, as very serious offenses.  In the event that cheating, plagiarism or other forms of academic dishonesty are discovered, each incident will be handled as deemed appropriate.  Care will be taken that students’ rights are not violated and that disciplinary procedures are instituted only in cases where documentation or other evidence of the offense(s) exists.  A description of all such incidents shall be forwarded to the Student Conduct Officer, where a file of such occurrences will be maintained.  The Student Conduct Officer may institute action against a student according to the college’s disciplinary policies and procedures as described in the Student Handbook: http://www.Cascadia.edu/about_cascadia/student_handbook.aspx 

Acceptable Use Policy on Information Technology: In general, the same ethical conduct that applies to the use of all college resources and facilities applies to the use of Cascadia’s systems and technology.  These systems may only be used for authorized purposes, using only legal versions of copyrighted software, and with consideration and respect for the conservations of resources and the rights of other users. For additional information, see the online version of the Student Handbook at http://www.cascadia.edu/about_cascadia/student_handbook.aspx  or go to the Open Learning Center for assistance with any questions.

 Diversity:  Cascadia is committed to creating a supportive environment for a diverse student, faculty, and staff population. Individual differences are celebrated in a pluralistic community of learners. Cascadia does not discriminate on the basis of race, color, religion, gender and/or sex, sexual orientation, national origin, citizenship status, age, marital or veteran status, or the presence of any sensory, mental or physical disability, or genetic information, and is prohibited from discrimination in such a manner by college policy and state and federal law. The following office has been designated to handle inquiries regarding non-discrimination policies and can direct inquiries to the appropriate office for ADA-related requests: Director of Human Resources, Office CC2-280, 425-352-8880.

Campus Closures and Inclement Weather:  In the event of inclement weather affecting morning classes, there will be notification on the local media by 5:30 a.m. You may also call the main campus number: 425-352-8000 to hear a message that will be updated with the latest Cascadia closure information. You may also go online to www.schoolreport.org and click on Cascadia Community College to get the latest report. Should the weather deteriorate during the day, you may check online, listen to the main campus message, check email or the media to hear news about closures or class schedule changes.

To sign up to receive campus alerts, including closures, on your home email, your mobile phone, or your home phone, log in at https://alerts.cascadia.edu/ Use your Cascadia user name and password and be sure to select the "Student" domain.  Upon login, you will be re-directed to a web site maintained for Cascadia by a third party vendor. Rave Mobile Safety has partnered with Cascadia Community College to provide emergency notification services to the campus community.

In the event of a campus closure, please visit my website at http://buccienglish102.blogspot.com for announcements and instructions.

 Emergency Procedures:  Emergency procedures are posted in each classroom.  To reach campus security personnel, dial 425-352-5222. City of Bothell fire and police may be reached by dialing either 9-9-1-1 or 9-1-1 from any campus phone. Campus emergency phones are located on campus walkways and parking lots.

 Learning Assistance Options:  To support student success, Cascadia offers a variety of support services.  The Open Learning Center, CC2-060, provides a computer lab where students can receive assistance with technology to support class assignments. Cascadia’s Math and Writing Center, CC2-080, provides tutorial support for students who seek additional assistance with their math and writing assignments.  Tutoring is offered on a drop in basis, and is free and open to all Cascadia students.

 Online Tutoring and Writing Assistance:  Cascadia provides online access to live tutors in a variety of subjects, provided by the NW e-Tutoring Consortium.  Tutoring is offered through live, interactive sessions and through an Essay Center.  Many subjects have convenient tutoring hours late into the evening and 24 hours a day. To get started, visit the following address:  etutoring.cascadia.edu.

 Disability Support Services:  Cascadia provides services to help students with disabilities successfully adapt to college life.  Students who meet specific criteria may also qualify for academic accommodations. If you have or suspect you have a disability and need an accommodation please contact the front office in Kodiak Corner at 425-352-8860 to make an appointment with the Disability Support Services. Services and Accommodations through DSS are not retroactive.

Counseling services: If you have a personal problem or stress that is affecting your schoolwork and would like to talk with someone, please contact the Cascadia counselor. Counseling at Cascadia is confidential, professional and free. Visit the Kodiak Corner front desk or call 425-352-8860 for an appointment.

Advising: Students should schedule an appointment to meet with an advisor to create a tentative education plan.  They can call 425-352-8860 or come to the Kodiak Corner to make an appointment.  Appointments are not made via email. At the time of the appointment, they need to indicate which degree they are pursuing. See the Cascadia website http://www.cascadia.edu/contact/offices_facilities/academic_advising.aspx  for information about Drop-In Advising hours.

Online Advising: Email advising is available at advising@cascadia.edu.  Our distance advisor can answer most questions via email, but we don’t schedule advising appointments via email. See the Cascadia website http://www.cascadia.edu/contact/offices_facilities/academic_advising.aspx  for information about Instant Messenger advising.

Family Education Rights and Privacy Act (FERPA):  Cascadia Community College complies with the Family Education Rights and Privacy Act (FERPA) of 1974 concerning the information that becomes a part of a student’s permanent educational record and governing the condition of its disclosure.  Under FERPA, students are protected against improper disclosure of their records.

Schedule of Assignments (subject to change)

	Th 9/29: Introduction Syllabus, “The Filth and the Fury”
T 10/4: Intersections of Culture and History due: LT Prologue p. 1-22 assign: Mini Research Paper, Short Answer Test #1 (take-home)	Th 10/6: Library Workshop due: Topic for Mini Research Project, Short Answer Test #1 in-class: Meet on second floor of the Library (LB1-220)
T 10/11: Slogans and Incompetence due: LT p. 25-40, 64-67, three slogans in-class: watch and discuss Dada video	Th 10/13: Dada due: LT p. 105-108, 175-194, sources and thesis statements for Mini Research Project in-class: watch Mark Steel on Marx assign: Short Answer Test #2 (take-home)
T 10/18: Modern Capitalism and Invisible Ideologies due: LT p. 119-132, Short Answer Test #2	Th 10/20: Mini Research Paper Outline due: Mini Research Paper Outline in-class: Watch “Howl” assign: Short Answer Test #3 (take-home)
T 10/25: Situationists International and Spectacle Culture due: LT p. 40-54, 91-99, Short Answer Test #3	Th 10/27: Mini Research Paper 1st Draft due: 1st draft of Mini Research Paper, including Works Cited (4 copies) in-class: Peer Review
T 11/1: Mini Research Paper due due: Mini Research Paper (including Works Cited page, outline, one copy of 1st draft, revision reflection, and peer review sheets) assign: Creative Project	Th 11/3: Cultural Subversion due: LT p. 153-174 in-class: Short Answer Test #4 (in-class), watch and discuss AdBusters, Yes Men, Shepard Fairey
T 11/8: The Body: Karen Finley, Chris Burden, and the Butthole Surfers due: Our Band Could be your Life, Chapter 8 in-class: watch and discuss Butthole Surfers interview and performance and discuss the body in performance art	Th 11/10 Anarchy Performance: Brecht, Foreman, SRL in-class: watch and discuss videos of theatrical anarchy assign: Short Answer Test #5 (take-home)
T 11/15: Assault on Notre-Dame due: LT p. 259-266, Short Answer Test #5 assign: Final Research Project	Thu 11/17: Creative Project due: Creative Project in-class: share and discuss projects with class assign: Boolean Search Worksheet
T 11/22: Library Workshop (LB1-220) due: topic for Final Research Paper, Boolean Worksheet	Th 11/24 (No Class)
T 11/29: Annotated Bibliography due: Annotated Bibliography, Thesis Statement for Final Research Paper	Th 12/1: WTO Riots due: “Chaos Theories” Spin in-class: watch and discuss video of the riots
T 12/6: Final Research Paper Outline due: Final Research Paper Outline in-class: Watch: “Battle in Seattle”	Th 12/8: TBA (To Be Announced)
T 12/13: Final Research Paper (1st draft) due: 1st draft of Research Paper (bring 4 copies) in-class: Peer review	Th 12/15: Last Class due: Final Research Paper (including: final draft, Works Cited page, outline, one copy of 1st draft, revision reflection, and peer review sheets)